Friday, August 7, 2009
All Fixed...
Thanks Erica for letting me know about seeing my blog. xx
Miss World Contest Entry for Liparazzi: Miss Antarctica

Today is the last day for Liparazzi's Miss World contest, so I thought I'd give it a go and put my own spin on things. I come from a very hot place and wanted to reimagine myself as a kind of minimalistic Nanook of the North meets the world of pageantry. I used lots of iredescent pinks, lilacs, a bit of green, and a touch of silver.

Face: Rimmel Stay Matte foundation
Laura Geller Balance-n-Brighten
Cheeks: Laura Geller Blush-n-Brighten in Como/highlighter in Portofino
Eyes: Hard Candy Dillusional quartet
Physicians Formula in Berry Minerals
Jordana Kohl Kajal eyeliner in Bashful Blue
Rimmel's Sexy Curves Mascara
Lips:
Rimmel's Airy Fairy

My talent is ice fishing and creating ice sculptures. I get my inspiration from Auguste Rodin.
Sunday, August 2, 2009
How to Guru?

Sunday, July 26, 2009
If Dorothy had a palette...
(photo from: yahoo movies)
This is what I found...an exquisite Lancome palette, which is probably some left over holiday collection. The pictures are not going to do it the beautific justice it deserves.

The palette is called Pampered and Privileged, which is why it's been renamed The Dorothy Palette. It reminds me of an understated version of her red slippers and not gawdy, cheap, or too kitsch.
Here are the colors themselves.
The top row:
Enamored (sheen), Breathtaking (sheen) and Elite (metalic)

Bottom row: Stunning (matte), VIP Scene (matte), and Captivated (intense)... Don't quite know what intense means in makeup land???
Really, at the end of the day, it's just a neutral palette for doing your basic to dramatic brown smokey eye. But oh la la!...the packaging is divine. It's like tiny beaded rows of ruby delights that are ever so slightly irradiant and prismatic... and the mirror is lovely as well. The colors go on well, velvet, smooth, you get the drift. It is Lancome after all.
Do you have any items in your collection that seem to be beautiful objects on the outside regardless of the contents within? If so what are they?
Friday, July 24, 2009
Channeling the Flaneur
As I have embarked on this journey of all things beauty, it boggles my mind as to how enraptured I've become with tutorials, blogs, reviews, and hauls. When, literally, only a year or so ago I seemed to get by with just a couple of Smashbox trios and a Colorstay quartet. I couldn't understand why they wouldn't stay for more than a few hours (thanks UDPP et al.). Now, I am completely and utterly enthralled. The funny bit is that I worked in the fashion/make-up industry for a good decade and had the stuff shellacked on my face nearly every day, yet I couldn't begin to tell you how to reproduce those looks...until now...well, still trying to learn through all of the gurus.
I am reminded of a Victorianish french term called the flaneur. I feel a bit like the flaneur as I stroll the department stores, MAC counters, and drugstores. The sheer enormity of products, colors, and items on display can leave me wanting, tempting, and wishing I had a blackberry to look up a Make-up Alley review and make purchases.
Here is a very high brow description of the flaneur:
"Flâneur" is a word understood intuitively by the French to mean "stroller, idler, walker." He has been portrayed in the past as a well-dressed man, strolling leisurely through the Parisian arcades of the nineteenth century--a shopper with no intention to buy, an intellectual parasite of the arcade. Traditionally the traits that mark the flâneur are wealth, education, and idleness. He strolls to pass the time that his wealth affords him, treating the people who pass and the objects he sees as texts for his own pleasure. An anonymous face in the multitude, the flâneur is free to probe his surroundings for clues and hints that may go unnoticed by the others.
As a member of the crowd that populates the streets, the flâneur participates physically in the text that he observes while performing a transient and aloof autonomy with a "cool but curious eye" that studies the constantly changing spectacle that parades before him (Rignall 112). As an observer, the flâneur exists as both "active and intellectual" (Burton 1). As a literary device, one may understand him as a narrator who is fluent in the hieroglyphic vocabulary of visual culture. When he assumes the form of narrator, he plays both protagonist and audience--like a commentator who stands outside of the action, of whom only the reader is aware, "float[ing] freely in the present tense" (Mellencamp 60).
The flâneur has no specific relationship with any individual, yet he establishes a temporary, yet deeply empathetic and intimate relationship with all that he sees--an intimacy bordering on the conjugal--writing a bit of himself into the margins of the text in which he is immersed, a text devised by selective disjunction.
Walter Benjamin posits in his description of the flâneur that "Empathy is the nature of the intoxication to which the flâneur abandons himself in the crowd. He . . . enjoys the incomparable privilege of being himself and someone else as he sees fit. Like a roving soul in search of a body, he enters another person whenever he wishes" (Baudelaire 55). In this way the flâneur parasite, dragging the crowd for intellectual food--or material for his latest novel (Ponikwer 139-140). In so doing, he wanders through a wonderland of his own construction, imposing himself upon a shop window here, a vagrant here, and an advertisement here. He flows like thought through his physical surroundings, walking in a meditative trance, (Lopate 88), gazing into the passing scene as others have gazed into campfires, yet "remain[ing] alert and vigilant" all the while (Missac 61) .
The flâneur is the link between routine perambulation, in which a person is only half-awake, making his way from point A to point B, and the moments of chiasmic epiphany that one reads of in Wordsworth or Joyce. Like Poe’s narrators, he is acutely aware, a potent intellectual force of keen observation--a detective without a lead. If he were cast a character in the "drama of the world," he would be its consciousness.
The rest of the article can be found here: http://http//www.thelemming.com/lemming/dissertation-web/home/flaneur.html
If we take this lens and turn the gaze on on the youtubers, blogs, and ourselves, I think there might be an interesting relationship to be explored. Not every aspect of the flaneur can be equally transposed, but I believe a kinship becomes established though I would err more on the positive aspects of the flaneur. We are not all "educated," "well off," or "intellectuals." I realize that I'm getting awfully Lit Crit here, but I'd be interested in what you think on the subject.
Do we become flaneur like at times? If so, when and how?
Sunday, July 19, 2009
FOTD and a Hot Mess! Yes you BM 101!



Have a fantabulous day!
Sunday, July 12, 2009
Deva Care (tame your curls!)

Washing/Conditioning:
First, there's the shampoo, which is called No-Poo (how awesome is the name!)
Here's the blurb from the website:
DevaCare's non-lathering, conditioning cleanser creates the ultimate healthy, bouncy curls. Enriched with Vitamin C and orange peel extract, No-Poo provides maximum frizz prevention and slows color fading.
Often times we think that if a product isn't lathering and full of soapy suds, then it isn't properly washing our hair. Our hair isn't a pile of chothes, so we should stop using harsh sulfates on our hair.
Next, the conditioner, called One Condition, is wonderful as well. It too is a gentle, non-drying, way of taking care of curly hair. I've used this as a leave in treatment also.
Both products have a lovely scent.
DevaCurl - AnGell
The styling gel is the key here. I know what you may be thinking that curly hair and gels don't go well together. This product does not get sticky, stiff, or drying in any way. You do need quite a bit of it though. What I do is after washing and conditioning, I put about a quarter cup of this in my hair with my head turned upside down and gently scrunching it up from the ends to roots. You will need to fill up your palm with product. I don't towel dry my hair as the fibers in the towel can cause unnecessary frizz. Just use an old t-shirt to get the excess water out.
Then, I dry it with a diffuser. Because I get impatient, I use the high setting. Using a diffuser is important. Gently, if you need to, press the curls up with your hands or with the diffuser. In the Deva line, they do have a special diffuser, which looks like a giant hand. I haven't used it though.
The Deva Care products aren't just for curly hair. The company has a whole range of products.




